Friday, 12 June 2015

HUM FILMS & MD FILMS


HUM FILMS & MD FILMS UNVEILED TWO MUSIC VIDEOS OF PAKISTAN’S MOST ANTICIPATED MOVIE BIN ROYE IN THE CITY OF GLITZ & GLAMOUR


After the successful unveiling of four audio songs of Bin Roye at the concluding day of Telenor Bridal Couture Week 2015, HUM Films & MD Films unveiledtwo music videos of the most anticipated movie, Bin Roye. With its star-studded cast and association of big names from the sub continental music industry, Bin Roye is sure take the viewers on a roller-coaster ride of entertainment, unforgettable display of acting and soulful melodies

Lahore, June 10, 2015HUM Films organized a special meet and greet session with the star cast and crewof Bin Roye and gave a sneak preview of two of the songs of Bin Roye to the media and glitterati present at the event. The movie, starring the stalwarts of Pakistan’s entertainment industry Mahira Khanalong with the gorgeous Armeena Rana Khan and the evergreen Humayun Saeed in lead roleshas already created waves in the entertainment industry and the music unveiling received an overwhelming response from the audiences.
President HUM NetworkSultana Siddiqui welcomed the audiences and shared the vision of HUM Network in shaping the entertainment landscape of Pakistan. The press conference, organized for select media personnel, bloggers and showbiz personalitiesnot only gave audiences an insight into the movie but also provided the star cast comprising Mahira Khan, Humayun Saeed and Armeena Rana Khan an opportunity to share their experiences and memories created on the sets. Producer and co-director of the movie, Momina Duraid raised the curtain from the amazing line-up of singers and musicians associated with the movie. The music videos of “BallayBallay” and “TerayBinaJeena” were previewed to the enthusiastic attendees who clapped and cheered to the soothing lyrics of the songs and enjoyed the soulful melodies. The film’s trailer, which is already receiving an overwhelming response from the audiences since its release,was also screened after which the floor was opened for questions and answers.
The special meet and greet session was attended by media personnel, bloggers and bigwigs of Pakistan’s entertainment industry.
Made under the banner of HUM Films and Momina Duraid FilmsBin Roye is an Eid gift from HUM Network to all its audiences and promises to raise the bar of filmmaking in Pakistan.The movie is based on the bestselling socio-romantic novel Bin Roye Ansoo by the legendary playwright Farhat Ishtiaq, produced by the bigwig of Pakistan drama industry Momina Duraid and directed by Momina Duraid and Shahzad Kashmiri. With two of the movie songs directed by the talented Asim Raza and Sarmad Sultan, the talented FarhanAlamas director of photography, and a star-studded cast including the likes of Javed Sheikh, ZebaBakhtiar, AzraMansoor and with special appearances of the multi-talented Adeel Hussain, Junaid Khan, Faiza Hassan and ShireenZahid, Bin Roye is sure to set Pakistan film industry on a new course.

Wednesday, 10 June 2015

Muqadas HUM TV Drama



Description Visit our Facebook Page: www.facebook.com/MuqaddasOfficial

Visit our YouTube Channel: www.youtube.com/humnetwork

Visit our Dailymotion Channel: www.dailymotion.com/humtv

Director:  Mazhar Moin
Writer: Faseeh Bari 
Producer: Momina Duraid
Cast: Noor Hassan, Iqra Aziz, ZQ, Hina Bayat, Farhan ali Agha, Khalid Anam,Nida Khan, etc



Tuesday, 9 June 2015

Film festival ends on a high note



KARACHI: The week which saw a lot of patronage for arts ended on a promising note as I am Karachi Film Festival concluded with better prospects for aspiring film-makers.
Divided over three events, I am Karachi Film Festival wrapped up its last installment on Sunday at Expo Centre. Starting off on May 31, the first event held at the Arts Council saw amateur film-makers showcase their work for the audience to be followed by a second screening of different films at the Seaview Park.
Taimur Suri, who took the initiative of giving a platform to young film-makers, said that although the first event did not see many people, about 500 attended the second screening, probably because the venue was an open space.
The event, divided into two sections namely fiction and non-fiction films, was followed by panel discussions where the guests shared their views about the screened films.
The fiction ones varying from a minute to 41 minutes included This is not a true story by Salman Abedin and Irfan Kheiri, Baazgasht by Raza Abbas, Balcony Stories by Alyna Farooqui, Nazar by Shujauddin and Shehenshah by M. Ziad Azad.
The panel discussion hosting retired bureaucrat Kaleemullah Lashari, film-maker Nameera Ahmed, lecturer Nauman Baig and Rausheen had the guests talk about the portrayal of intangible realities in films with respect to fiction work by the younger lot.
A performance by Dastangoi, Tilism-i-hoshruba and Mir Baqar Ali, and Haveli from Mushtaq Ahmed Yusufi’s Aab-i-gum left the audience chuckling before the event moved onto fiction films.
In the second half the non-fiction films screened namely I am alive and so is my city by Misaal Khalique, Guddu by Mohammed Ali Hakim, Kaali patang by Seraj Salikin, Neighbours by Haya Hassan and Haya Faruqi were appreciated by the audience but it appeared that the film-makers needed to shift their focus to the technical aspects of the direction and camerawork.
Three entries by Traveling Films South Asia (TFSA), No 62 Pansodan Street by Cho Phyone, The story of one by Kannan Arusalam and No burqas behind bars by Nima Savestani were also selected by the jury; and were chosen to highlight the similarities which made them relatable to Karachi. The chosen films were about Burma (Myanmar), Sri Lanka and Afghanistan. They portrayed issues such as poverty, female suppression and the plight of those who go missing.
Moderated by Taimur, the second panel discussion, which had actors Rubina Ashraf and Misbah Khalid, and Prof Dr Markus Heidingsfelder as panelists, the talk centred on the future prospects of the film-makers, whose efforts were deemed commendable by the three guests.
Pointing out to numerous film-makers who quit making films after entering professional life, Misbah said that was bound to happen.
Rubina, however, advised all film-makers to air their films on television to draw larger audiences. “They can get airtime; I would love to see such short films every day. I would want them to get sponsors and showcase their films on that medium because television is here to stay,” she said.
Heidingsfelder commented that although the films were not technically perfect, they were modifying the view of Karachi. He added that at the institution he came across enthusiastic students, who were keen to work. “They have a strong social connection and have mixed traditions,” he remarked.
The three-day festival ended with a musical performance by Amateurs Melodies supervised by Arshad Sultan.
Published in Dawn, June 9th, 2015

Monday, 8 June 2015

Three-day bridal couture show begins



KARACHI: With an average of eight designers showing everyday along with a grand couturiers segment, the three-day Telenor Bridal Couture Week got under way at the Palm on Friday night.
In its 10th year now, the bi-annual show held in Karachi and Lahore has matured into an event that showcases the latest in bridal trends by both established and emerging designers and one that also triggers and introduces new trends.
Hassan Sheheryar Yasin opened Day One with a collection that encompassed traditional embroidery tankas in festive colours in both menswear and women’s wear. A matador short jacket stood out in the men’s line while the fanciful women’s line featured outfits inspired by the royal darbars of the subcontinent and fused with chic modernism.
Rizwan Ahmed’s paid tribute to his departed mother with the Jannat collection in ivory tones and play with sheer volume with lots of razzle dazzle and shimmer and shine. Ayesha Ibrahim’s Khaista collection used net, silk, chiffon and jamawar mostly in fuschia and pink bridal tones while the silhouette remained traditional with angarkha cuts and short-tail ghararas.

I have to explore new horizons: Mawra Hocane dishes on her racy new look


 Does crossing the border always have to cause a controversy?
It's no secret that local TV darling Mawra Hocane feels right at home in India. She's been in and out of Mumbai in the last few months and happily catalogs her travels on social media.
Recently, a picture from a photo shoot appeared online that saw her depart from her usual girl-next-door look. The photo, which features Mawra in a racy red choli, only served to pique interest in Mawra's Bollywood adventures, spurring both positive and negative criticism.
So just what has this young star been up to?
In a candid chat with Dawn.com, Mawra talks about her new look, her move to Bollywood, the people she met in B-Town and above all, that video message from Ranbir Kapoor. Read on:
Your new look shocked and surprised many... do you really want to get rid of your bubbly image in Pakistani dramas?
Mawra Hocane (MH): First of all, let me clarify a couple of things. Now that I have entered Bollywood, I have to explore new horizons as an actor. Our people always take time to adjust whenever something new is done and that’s exactly what happened with my shoot. I'm absolutely fine with the general public reaction, however, I'm very thankful to my fans for such a huge positive response.
I don't feel I've done anything different to what's happening in all the Pakistani films too. It's just that the platform is comparatively huge so the response is massive too. As for the bubbly image, I don’t intend to get rid of it for a few years. The real-life bubbliness is never going away; at least not till I'm in my early 20s.

Saturday, 6 June 2015

5 things you need to know about Jami's upcoming film Moor



This Independence Day, audiences in Pakistan will have the chance to witness a cinematic love letter to the motherland.
Directed by Jami, Moor (pronounced 'Mor' and alternatively used for 'mother' and 'the land' in Pushto) has been in the works for a while. Jami began working on the film in 2007 and it sees fruition after nearly eight years, the year after he made his debut as film director with O21.
Packed with action and drama, the film is Jami’s answer to “how we should handle ourselves in a Pakistan where a new drama unfolds everyday.” TheMoor team shared this and more at the press meet held in Karachi yesterday, where the film's latest trailer was shown and website was launched.
1. Moor puts Balochistan's beautiful scenery on the map
In a series of disjointed phrases, director Jami described Moor as “the cure for all hopelessness, a film about Pakistan, which is specifically about trains… (and) about families… (and) how we should handle ourselves in a Pakistan where a new drama unfolds everyday.”
Strangely enough, some people see it as a film about terrorism, shared Jami, but the rest of us can breathe a sigh of relief that we’ll be watching an action drama that doesn’t concern the war against terror.
More importantly, we’ll be watching a film that puts Balochistan on the big screen, a region with unparalleled cinematic value. “Wherever we placed the camera, the framing would be beautiful,” relates Jami, who likens Balochistan’s vistas to the setting of Lawrence of Arabia.

When asked why he made Moor in Balochistan, Jami further elaborated that issues in the train network are the worst there. The trains, which are the cheapest form of transport, were systematically shut down by corrupt people, which affected many, many lives. Balochistan thus mattered more, Jami said.
One of the film's most accomplished actors, Abdul Qadir, who's earned a Pride of Performance and several other accolades, summed it up nicely: “'Mor' means mother. We can do so much for our mothers; our land is also like our mother, and we should do every good deed to make its name shine. Jami’s film is one such beautiful effort.”
2. Moor’s making began on a train
The process of making Moor began in 2007 at a time when train issues were even worse than they are today. To write the script, Jami and team decided to travel to Balochistan by train. “The 10-11 hour journey took us two days on a train that had no windows, no bathrooms and barely functioning lights. The engine broke down multiple times, and the diesel ran out just as many. And oh, we couldn’t stand near the door, because “rocket launcher kabhi bhi asakta hai”. We couldn’t have anticipated the serious issues that we saw.”

Shooting in Muslimbagh had trials of its own. Not only was the weather inclement, but they encountered lack of support from security forces who would intervene to tell them it’s not safe. Surprisingly, the 'Taliban' cooperated and even emptied out their headquarters for them to shoot in. “Our crew included girls wearing Western clothes, and nobody cared,” he shared.
3. Moor's final cast is the product of many changes
Moor stars Hameed Sheikh, Samiya Mumtaz, Abdul Qadir, Shabbir Rana, Ayaz Samoo, Soniya Hussain as well as New York-based actor, Shaz Khan, in prominent roles.
This final cast is a product of many changes: Shabbir Rana opted out from the lead role to give room to Hameed Sheikh, who would be able to meet the physical challenges of the role. Shot in freezing temperatures that dipped as low as -14 degrees, the cast (which included Sheikh's sons who play his younger selves) had to shoot their scenes wearing no extra layers. Sheikh was selected after Jami was struck by his entry in the film Kandahar Break, which the two of him were actually viewing to help select other actors from the region. Sheikh didn’t expect to be cast in that process.
Samiya Mumtaz was Jami's first choice for the female lead, but he reconsidered casting her after seeing her then hairstyle, which was a close approximation of Hameed Sheikh's current bald look! Jami had envisioned long, flowing hair for Moor's female lead, but after his second choice walked out, he begged Mumtaz to do the role.
When asked about her seemingly similar roles in Moor and her last film,Dukhtar, Mumtaz replied, “Peechay pahar hain and aur mai aik aurat hoon, us ke ilawa koi similarity nahi hai. (Apart from having mountains behind me, and being a woman, there’s no similarity between the two roles.)"

Ayaz Samoo, who’s known as a stand-up comedian, was cast as a villain in the film in a role that didn’t even initially exist. “Somewhere along the line, Jami bhai decided that Moor needed a wacko, and cast me in the role. For more than a decade, I’ve been stamped as a funny guy, and Jami bhai is the only person to be able to ignore it,” he shared.
The film also gives the opportunity for actors of the region to enjoy the spotlight.
“I’m from a people who know how to live in the mountains, but I can't swim. But Jami was able to make me do it. My fellow actors proved that they are no less than any other in the country,” said Abdul Qadir.
4. The film has a promising soundtrack
Strings were famously roped in to produce Moor's seven-song soundtrack, but yesterday's press meet reminded us that it will also boast the likes of Meesha Shafi, Javed Bashir and Rahim Shah, who's contributed a song in Pushto. Rahma Ali, whom we first heard on Coke Studio's last season, has also lent her vocals to one track (she was asked to sing a song called ‘Chalo Younhee Sahi’ after Anwar Maqsood chanced upon her singing during rehearsals for Sawa 14 August's Islamabad run, in which she played a small part).
Another interesting revelation was that Bilal Maqsood and Faisal Kapadia have sang solo tracks for the film.
Jami doesn't know when Anwar Maqsood volunteered to pen the lyrics for the film's songs, but he does admit driving Bilal Maqsood up the wall with his multiple revisions of the film.
"150 versions of the film were made, which means the music had to be changed as many times. Any other musician would have called it quits, but Bilal handled it. And I don't even know when Anwar Maqsood volunteered to write the lyrics for the film..." The soundtrack seems promising, and we'll get to hear it soon after Ramzan, promised film's producer Nadeem Mandviwala.
5. There was an elephant in the room...
While everyone skirted around the fact that Jami’s debut film O21 was less than well-received, Mandviwala himself assured the press that no one will say that they couldn't understand Moor.
“Jami thinks and talks abstractly. Wo shor sharaba nahi machatay. Zor se baat karte nahi ke meri baat sun lo, bohot piyar se baat kehenge jis may maanay bohot ho gay,” he said.


Tuesday, 2 June 2015

Waar 2 filming to kick off next month



It has been a while since we heard any news about Dr. Hassan Waqas Rana's Yalghaar but it appears that the director-producer is now venturing into the much-talked-about sequel of blockbuster Waar. The next in line,Waar 2 will commence filming next month in London.
Although post Waarthere had been a financial war between Bilal Lashari and Rana, Waar 2 will see Rana producing as well as calling the shots as director. He will also be penning the script of the film
Speaking to Dawn.com, Rana confirmed the news and said the cast and crew will be heading to London to start filming. He added that Shaan Shahid will be in the lead and the cast will include Bilal Ashraf and Ayub Khoso among others:
"We will be shooting the first spell with these three actors in London and Prague. We are also in talks with different international actors and will reveal details as soon as things get finalised."
With news about Humayun Saeed and Adnan Siddiqui included in the cast as well, Rana said that he has indeed asked them as well and their confirmation for the film will depend on their availability. Alizeh Nasir might also be a part of Rana's upcoming venture.
He added that the film will also have local as well as international crew looking after the technical aspects of the film which will be shot in different parts of the world:
"The film will be shot in UK, Russia, Turkey, Canada and US," Rana told.
The director also shared that he aims to release Waar 2 by 2016 which raised the question about his forthcoming film Yalghaar:
"The first promo of Yalghaar will be coming in June and will make its way to cinema screen by late summer this year."
Spurring the revival of Pakistani cinema, espionage film Waar had raked Rs40m within the first three days of its release.