Wednesday, 24 June 2015

Why can't Spider-man be black?



A new batch of documents released by Wikileaks exposes the agreement between Marvel and Sony Pictures on mandatory traits for the Spider-man character, including the requirement for him to be “Caucasian and heterosexual”.
With Hollywood trapped in a web of its own making, the social media has rightly crawled in to feast.
Let’s be clear: Filmmakers have a right to make their characters any colour they want. Creating a Caucasian Spider-man doesn’t make one racist, but making his ‘whiteness’ mandatory, as if the plot is somehow hinged on his skin colour, is quite disturbing.
The reason for that is something I can safely illustrate with a personal example.
I’ve been an impassioned writer and storyteller as far as my memory serves me, and in all my earliest stories and unpublished short novels, I recall almost exclusively using white characters. One might ask why a 12-year old Pindi boy, born and raised in a distinctly Punjabi household, miles away from the nearest “Kevin” or “Jane”, would rely so heavily on white characters living in predominantly white countries.
The answer is obvious.
The children of Pakistani upper-middle class and elite families are drip-fed American movies, cartoons, and imagery of white superheroes. The influx of Japanese anime is barely half a generation old, which much more often than not, is reliant on stereotypical portrayals of Japanese people for the interest and amusement of mostly Western audiences.
While the generous infusion of Western arts into global media has helped normalise white people for people of colour in most parts of the world, the inverse has not happened.
People nearly everywhere would be shocked if I admitted that I don’t know what ‘Christmas’ is, but a white American would be easily excused for not knowing ‘Eid’ and what it represents.
From an early age, I had submitted to a Eurocentric, heteronormative view of the world, realising that to optimise my chances of global success, my protagonists would have to conform to the same character traits made mandatory by Hollywood: white, preferably male, and living in a predominantly white city.
Characters of other ethnicities, "exotic" geographical locations, "odd" gender types, or "questionable" sexual orientations, would serve as interesting side-stories at best.
Being white, cis-gender and straight is relatable. Any other trait on the main character would be too distracting. After all, we’ve witnessed a similar kerfuffle when Idris Elba, a black British actor, was rumoured to have been chosen to play the next James Bond.
Many Spider-man fans have scoffed at my indignation, citing ‘authenticity’ as the reason for why Spider-man must remain white and straight. After all, how ridiculous would it be if someone remade ‘Blade’ with the Daywalker being played by a white actor?
‘Authenticity’ buffs are perhaps not aware that almost every character detail and plot element in the Spider-man franchise has evolved remarkably from how it was originally portrayed in the comic book.
The previous Gwen Stacey, played by Mary Jane Watson, was a redhead, as opposed to the comic book blonde. And Peter Parker meets her at the university, unlike in the movie where they meet in high school. Even the fundamental plot details surrounding the death of Uncle Ben, and the nature of the spider that bites Peter Parker, have all been changed in the latest Spider-man movies.
While all these changes, and many more, have unfolded before the public’s eye without controversy, a change in Peter Parker’s skin colour wouldn’t; possibly because people continue to see race as such a massive divide, that changing a protagonist’s race would wholly transform the franchise.
A white boy getting bit by a radioactive spider = ‘The Amazing Spider-man’.
A brown, Pakistani boy getting bit by a radioactive spider = A childhood ruined.

Doing the opposite, as in the case of a white Daywalker, would count as cultural appropriation. It would mean whitewashing the precious few superheroes of colour that we actually have, which would further alienate people of colour.
While I’m certainly not proposing a forced remake of our beloved superhero characters, I won’t pretend that comics and movies have no influence on the way we see the world. Or that they have no power to change our perception towards people who weren’t born with the popular, Hollywood-approved traits.

Tuesday, 23 June 2015

Wasim won my heart through humour: Shaniera Akram



According to his wife Shaniera Akram, Wasim Akram is more than just the 'Sultan of Swing' or an an impeccable cricket commentator. He might have led the Pakistan cricket team to victory many times, but it's his humour that won his wife's heart.
Wasim appeared on The Reham Khan Show on Sunday with Shaniera, who herself made a first-time appearance on television. Opening up about remarrying after the tragic loss of his first wife, Wasim and Shaniera both spoke candidly about their journey so far — including their baby daughter Aiyla.
Perks of having a ‘gori bahu’
Given that Shaniera hails from Australia, when Reham asked about his family’s reaction to his foreign bride, Wasim joked that the relationship between his mother and wife was a win-win situation for him:
“My mother admired her [Shaniera's] beauty but was worried about how both of them would communicate. I told her 'through signs'. But here’s the catch: my mother doesn’t know English as such and Shaniera doesn’t know Punjabi so it’s a perfect relationship,” he laughed.
He later added that they get on very well and his mother is learning the basics and Shaniera is also learning Urdu to bridge the communication gap.
When Reham asked Wasim if politics were in his future, Wasim was quick to answer, “My guru is in politics and that works for me.”
Being a single parent:
As a cricketer and commentator who was always travelling, Wasim admitted that he was a typical Pakistani father who’d buy stuff for his children, talk to them for a bit but wasn’t directly involved in their lives. His late wife, Huma, catered to the children’s needs and when she passed away his sons Akbar and Taimur, who were 9 and 12 respectively, went through a hard time:
“The first few months were very chaotic, I was still getting to know my children’s schedule, their friends, and Shaniera helped us a lot. She drops my son to his football practice and sees him perform as well.”
Is Pakistan home to Shaniera?
Although her origins state otherwise, according to Wasim, Shaniera enjoys Pakistani culture and he can vouch that she is 100% Pakistani. The language barrier remains but Shaniera herself believes that Pakistan is her home:
“Pakistan is home and that’s what I signed up for, I love it here,” said Shaniera.
Wasim, who is a patriot at heart, chooses to stay in Pakistan and Shaniera is fine with that because she can always fly to Australia which welcomes both with open arms.
Wasim Akram: loving, homely and mad?
Wasim might think that that his wife would describe him as ‘loving, homely and mad’ but Shaniera’s response differed. Calling him ‘’honest, reliable and funny’,’ Shaniera said:
“I saw his energy and could foresee a future with him, we had a natural chemistry. When he proposed to me we were at a point in our lives where we had dealt with previous relationships. When you’re young, you grow together and little things mean a lot but in our case we were mature and older and little things don’t really count then.”
The goofy side of Wasim:
Wasim is quite a bit of a jester in his personal life and that is what appealed to Shaniera.
“I do jokes, like I would call Snoop Dog the rapper Snoopy Dog Dog, and would say ‘paint the town the red’ instead of ‘paint the town red’ and when I am out with friends I become the center [of attention] and make everyone laugh,” said Wasim.
Speaking about his journey as a cricketer, Wasim said he owed it to his mentors like Imran Khan and Javed Miandad. The swinger feels deeply about the current state of Pakistan cricket and hopes that it'll improve.

Friday, 19 June 2015

Ramazan Mubarak from the stars!



Celebrity timelines take a sombre turn in Ramazan. Some tweet words of wisdom, others share messages of positivity. This change in pace begins with Ramazan greetings on the first day of the holy month.
Here's what they had to say this time around:
Mahira Khan shared her moment of sighting the moon with her fans.

Wednesday, 17 June 2015

Spotlight: Return of the native



There are many out there who are highly nostalgic about the ghazal scene in Pakistan during the ’70s and ’80s, and are crazy about Munni Begum and her style of singing. The fact was evident from the huge turnout at Lahore’s Alhamra Art Centre where she recently performed after a gap of 15 years.
Images on Sunday had a chat with Munni Begum in which she shared personal experiences and unveiled quite a few aspects of her life.
What brought you from the US to perform in Lahore after all these years?
I migrated to the US some 16 years ago due to the situation in Karachi but I visit Pakistan every year. This particular tour was organised by my brother Yameen. I’m simply fascinated by all the new roads here. It’s a new Lahore to me with Metro buses plying the city. To tell you the truth, I also liked the motorway while travelling to Lahore from Islamabad.

Ever wondered how Munni Begum got her name? Know all this and more as she speaks to IoS during her recent performance tour


Do you feel the government is doing enough to support arts and culture as well as the general well-being of the artistes?
It’s unfortunate that in Pakistan artistes do not enjoy the kind of state support that they should as a matter of right. This can be gauged from the fact that when I launched my first audio cassette back in 1976, two lac copies were sold. The audio became a bestseller at the time but amazingly I was given the Pride of Performance in 2008!
One can only imagine how supportive and conscious the Pakistani government is when it comes to artistes. The way our governments shower gifts and cash prizes on cricketers, our artistes also deserve to be treated accordingly. It should announce housing schemes for them as so many artistes have died helpless while invoking cultural institutions for charity. It’s not fair.
What does a Pride of Performance consist of: a medal, certificate and three lac rupees? One cannot even construct a small room with such a meager amount these days. To add insult to injury, performing artists lose millions in royalty here due to rampant music piracy.
What do you expect from the government when it comes to artistes’ welfare?
Nawaz Sharif is a kind-hearted man. I like him as a politician as he has carried out great development work when it comes to the road infrastructure. I humbly request the government to take a personal interest in the well-being of artistes and provide them with opportunities to earn a decent living.
Have you also received offers to perform in India like many Pakistani artistes these days?
I performed in India during Ziaul Haq’s regime. Back then, I didn’t know that Pakistani artistes were not allowed to perform across the Wagha border. I was black-listed and remained banned for three to four years. However, what is interesting is that it was Gen Zia’s wife who eventually got my passport released since she was a great fan of mine.
How did you come up with the name Munni Begum?
Now there’s an interesting story: when I was in school in the fifth class, I used to sing songs with Mujeeb-ur-Rehman’s son Kamal-ur-Rehman. Once our principal Mamoon ur Rasheed saw us singing and said ‘Nadra is such a big name for such a small girl, she should be called Munni’. From that day onwards, I have come to be known as Munni Begum.
Published in Dawn, Sunday Magazine, June 14th, 2015

Tuesday, 16 June 2015

HUM TV Awards


HUM Network got the show on the road with a clear mission through the launch of its flagship channel, HUM TV, back in 2005. From its very first year HUM TV was acclaimed for its pristine productions, succeeding not only in becoming an internationally celebrated home-grown entertainment network but also helping to bring back a large segment of local viewers that had been lost.
Amidst premier blockbusters such as Man-o-Salwa, Jhumka Jaan, Maney Na Yeh Dil, Khamoshian, Mere Pass Pass, Aashti, Qaid-e-Tanhai, Noorpur Ki Raani, Tair-e-Lahoti, Dastaan, Mere Qatil Mere Dildar, Pani Jaisa Pyar, Maat, Main Abdul Qadir Hoon, Humsafar, Shehr-e-zaat and Zindagi Gulzar Hai – HUM TV brought home the fact that Pakistani dramas have not lost their poignancy and appeal, and today, it stands as the undisputed flag-bearer of the local television industry.

With an aspiration to honour excellence, the brand HUM Awards was launched with the desire to acknowledge and honour our companions through this odyssey – to celebrate all those who had been a part of Hum TV’s long journey of success. Also included were the categories of fashion and music as both these genres have always been indispensible part of any dramatic presentation and Hum TV’s screen.

Monday, 15 June 2015

Dil Dhadakne Do: Who's the vilest character of them all?



At first glance, Dil Dhadakne Do looks like another escapist travelogue from the master of the genre, Zoya Akther, but it quickly reveals itself to be a dark gritty character study.
Usually, when Bollywood tackles the dysfunctional family, we get generally likeable people with a few eccentricities — too loud, too uptight, etc. The Mehra family, in contrast, consists mainly of borderline sociopaths. Yet, the fact that these people are truly damaged makes them more relatable and endearing, not less. The movie is not blind to their flaws, it explores them. We do not need to pretend these people are perfect, we need to understand how they got to where they are. Without condemning or condoning any character's choice, Dil Dhadakne Do has compassion and insight rare in big budget, ensemble movies of this kind.
Kamal and Neelam Mehra embark on a cruise amidst an idyllic Mediterranean setting, surrounded by their friends and family on the occasion of their 30th anniversary.
Instead of a fantasy vacation, however, it underlines their bleak reality. They only arrange the trip to distract from the fact that Kamal Mehra's empire is on the verge of bankruptcy (probably due to extravagant expenses like this one). The invited guests are not people the Mehra's want to spend time with but people they need to impress. What would be aspirational in another movie comes off like a cautionary tale here. It's impossible to drool over the lavish interiors, gorgeous scenery and designer clothing without constantly being reminded that all this outward luxury simply masks the grating emptiness of our protagonists' lives. The opulence is for the benefit of on-lookers; no one is actually enjoying this journey. The cruise is so suffocating that by the end, our lead characters have to literally escape on a lifeboat.
Thankfully, the resolution while hopeful, is not saccharine. They don't suddenly become wonderful people, they simply gain some perspective and self-awareness. Having a primary focus on perception and presentation takes a toll on your soul and it makes sense for all these characters to exist at various levels of moral ambiguity.
With that in mind, this review ranks the characters from least awful to most.

Sunday, 14 June 2015

Meanwhile in India... Fawad Khan parties with Kapoor & Sons!


Fawad Khan isn't too busy making movies in Bollywood to indulge in a little photo sesh with his co-stars!

The Kapoor and Sons team took a breather after their shoot in the Indian hill station of Connoor, and Rishi Kapoor shared a snap of the casual festivity on his Twitter account.
The photograph shows Fawad looking much like his former self — boyish, clean-shaven and totally non-nawabi — and he's joined by his lovely wife, Sadaf.
Director Shakun Batra, actors Sidharth Malhotra and Rishi Kapoor are also seeing partying it up, but the leading lady Alia Bhatt is nowhere to be seen. Maybe she's the one taking the picture?
Kapoor & Sons is a Karan Johar production — a rom-com that stars Fawad and Sidharth as brothers and Alia Bhatt as one brother's love interest. The film is expected to release in 2016.

Aye Zindagi Hum TV Drama Cast Is New


Aye Zindagi is a new drama serial that has been launched by HUM TV. The serial will be aired every Thursday at 8PM. The story has been written by Saira Latif and directed by Adnan Wai Qureshi. It is a M Entertainment production. The cast includes Sakina Samo, Manzoor Qureshi, Sidra Batool, Affan Waheed Qureshi, Zarnish Khan, Hassan Ahmed, Hassan Niazi, Mosin, Gillani, Syed Mazhar Ali, Shamim Hilaly, Khalid Ahmed, Nida Mumtaz, Ali Abbas etc.



The story shows the life experiences of various characters entangled in relationships that they are trying to save. It highlights the misinterpreted emotions and lack of understanding of the position of the others that further causes chaos in the people’s lives. How a daughter survives in a relationship just because she was pushed into it to fulfill her family’s desires and how a mother’s expectations change, when they see their sons now being shared by another woman.
The cast is fairly new and still making their mark. Sakina Samo is among the polished actors playing a leading role in the serial. The serial is a mixture of experienced and new faces. Let’s see how the serial scores among the audience.

Friday, 12 June 2015

HUM FILMS & MD FILMS


HUM FILMS & MD FILMS UNVEILED TWO MUSIC VIDEOS OF PAKISTAN’S MOST ANTICIPATED MOVIE BIN ROYE IN THE CITY OF GLITZ & GLAMOUR


After the successful unveiling of four audio songs of Bin Roye at the concluding day of Telenor Bridal Couture Week 2015, HUM Films & MD Films unveiledtwo music videos of the most anticipated movie, Bin Roye. With its star-studded cast and association of big names from the sub continental music industry, Bin Roye is sure take the viewers on a roller-coaster ride of entertainment, unforgettable display of acting and soulful melodies

Lahore, June 10, 2015HUM Films organized a special meet and greet session with the star cast and crewof Bin Roye and gave a sneak preview of two of the songs of Bin Roye to the media and glitterati present at the event. The movie, starring the stalwarts of Pakistan’s entertainment industry Mahira Khanalong with the gorgeous Armeena Rana Khan and the evergreen Humayun Saeed in lead roleshas already created waves in the entertainment industry and the music unveiling received an overwhelming response from the audiences.
President HUM NetworkSultana Siddiqui welcomed the audiences and shared the vision of HUM Network in shaping the entertainment landscape of Pakistan. The press conference, organized for select media personnel, bloggers and showbiz personalitiesnot only gave audiences an insight into the movie but also provided the star cast comprising Mahira Khan, Humayun Saeed and Armeena Rana Khan an opportunity to share their experiences and memories created on the sets. Producer and co-director of the movie, Momina Duraid raised the curtain from the amazing line-up of singers and musicians associated with the movie. The music videos of “BallayBallay” and “TerayBinaJeena” were previewed to the enthusiastic attendees who clapped and cheered to the soothing lyrics of the songs and enjoyed the soulful melodies. The film’s trailer, which is already receiving an overwhelming response from the audiences since its release,was also screened after which the floor was opened for questions and answers.
The special meet and greet session was attended by media personnel, bloggers and bigwigs of Pakistan’s entertainment industry.
Made under the banner of HUM Films and Momina Duraid FilmsBin Roye is an Eid gift from HUM Network to all its audiences and promises to raise the bar of filmmaking in Pakistan.The movie is based on the bestselling socio-romantic novel Bin Roye Ansoo by the legendary playwright Farhat Ishtiaq, produced by the bigwig of Pakistan drama industry Momina Duraid and directed by Momina Duraid and Shahzad Kashmiri. With two of the movie songs directed by the talented Asim Raza and Sarmad Sultan, the talented FarhanAlamas director of photography, and a star-studded cast including the likes of Javed Sheikh, ZebaBakhtiar, AzraMansoor and with special appearances of the multi-talented Adeel Hussain, Junaid Khan, Faiza Hassan and ShireenZahid, Bin Roye is sure to set Pakistan film industry on a new course.

Wednesday, 10 June 2015

Muqadas HUM TV Drama



Description Visit our Facebook Page: www.facebook.com/MuqaddasOfficial

Visit our YouTube Channel: www.youtube.com/humnetwork

Visit our Dailymotion Channel: www.dailymotion.com/humtv

Director:  Mazhar Moin
Writer: Faseeh Bari 
Producer: Momina Duraid
Cast: Noor Hassan, Iqra Aziz, ZQ, Hina Bayat, Farhan ali Agha, Khalid Anam,Nida Khan, etc



Tuesday, 9 June 2015

Film festival ends on a high note



KARACHI: The week which saw a lot of patronage for arts ended on a promising note as I am Karachi Film Festival concluded with better prospects for aspiring film-makers.
Divided over three events, I am Karachi Film Festival wrapped up its last installment on Sunday at Expo Centre. Starting off on May 31, the first event held at the Arts Council saw amateur film-makers showcase their work for the audience to be followed by a second screening of different films at the Seaview Park.
Taimur Suri, who took the initiative of giving a platform to young film-makers, said that although the first event did not see many people, about 500 attended the second screening, probably because the venue was an open space.
The event, divided into two sections namely fiction and non-fiction films, was followed by panel discussions where the guests shared their views about the screened films.
The fiction ones varying from a minute to 41 minutes included This is not a true story by Salman Abedin and Irfan Kheiri, Baazgasht by Raza Abbas, Balcony Stories by Alyna Farooqui, Nazar by Shujauddin and Shehenshah by M. Ziad Azad.
The panel discussion hosting retired bureaucrat Kaleemullah Lashari, film-maker Nameera Ahmed, lecturer Nauman Baig and Rausheen had the guests talk about the portrayal of intangible realities in films with respect to fiction work by the younger lot.
A performance by Dastangoi, Tilism-i-hoshruba and Mir Baqar Ali, and Haveli from Mushtaq Ahmed Yusufi’s Aab-i-gum left the audience chuckling before the event moved onto fiction films.
In the second half the non-fiction films screened namely I am alive and so is my city by Misaal Khalique, Guddu by Mohammed Ali Hakim, Kaali patang by Seraj Salikin, Neighbours by Haya Hassan and Haya Faruqi were appreciated by the audience but it appeared that the film-makers needed to shift their focus to the technical aspects of the direction and camerawork.
Three entries by Traveling Films South Asia (TFSA), No 62 Pansodan Street by Cho Phyone, The story of one by Kannan Arusalam and No burqas behind bars by Nima Savestani were also selected by the jury; and were chosen to highlight the similarities which made them relatable to Karachi. The chosen films were about Burma (Myanmar), Sri Lanka and Afghanistan. They portrayed issues such as poverty, female suppression and the plight of those who go missing.
Moderated by Taimur, the second panel discussion, which had actors Rubina Ashraf and Misbah Khalid, and Prof Dr Markus Heidingsfelder as panelists, the talk centred on the future prospects of the film-makers, whose efforts were deemed commendable by the three guests.
Pointing out to numerous film-makers who quit making films after entering professional life, Misbah said that was bound to happen.
Rubina, however, advised all film-makers to air their films on television to draw larger audiences. “They can get airtime; I would love to see such short films every day. I would want them to get sponsors and showcase their films on that medium because television is here to stay,” she said.
Heidingsfelder commented that although the films were not technically perfect, they were modifying the view of Karachi. He added that at the institution he came across enthusiastic students, who were keen to work. “They have a strong social connection and have mixed traditions,” he remarked.
The three-day festival ended with a musical performance by Amateurs Melodies supervised by Arshad Sultan.
Published in Dawn, June 9th, 2015

Monday, 8 June 2015

Three-day bridal couture show begins



KARACHI: With an average of eight designers showing everyday along with a grand couturiers segment, the three-day Telenor Bridal Couture Week got under way at the Palm on Friday night.
In its 10th year now, the bi-annual show held in Karachi and Lahore has matured into an event that showcases the latest in bridal trends by both established and emerging designers and one that also triggers and introduces new trends.
Hassan Sheheryar Yasin opened Day One with a collection that encompassed traditional embroidery tankas in festive colours in both menswear and women’s wear. A matador short jacket stood out in the men’s line while the fanciful women’s line featured outfits inspired by the royal darbars of the subcontinent and fused with chic modernism.
Rizwan Ahmed’s paid tribute to his departed mother with the Jannat collection in ivory tones and play with sheer volume with lots of razzle dazzle and shimmer and shine. Ayesha Ibrahim’s Khaista collection used net, silk, chiffon and jamawar mostly in fuschia and pink bridal tones while the silhouette remained traditional with angarkha cuts and short-tail ghararas.

I have to explore new horizons: Mawra Hocane dishes on her racy new look


 Does crossing the border always have to cause a controversy?
It's no secret that local TV darling Mawra Hocane feels right at home in India. She's been in and out of Mumbai in the last few months and happily catalogs her travels on social media.
Recently, a picture from a photo shoot appeared online that saw her depart from her usual girl-next-door look. The photo, which features Mawra in a racy red choli, only served to pique interest in Mawra's Bollywood adventures, spurring both positive and negative criticism.
So just what has this young star been up to?
In a candid chat with Dawn.com, Mawra talks about her new look, her move to Bollywood, the people she met in B-Town and above all, that video message from Ranbir Kapoor. Read on:
Your new look shocked and surprised many... do you really want to get rid of your bubbly image in Pakistani dramas?
Mawra Hocane (MH): First of all, let me clarify a couple of things. Now that I have entered Bollywood, I have to explore new horizons as an actor. Our people always take time to adjust whenever something new is done and that’s exactly what happened with my shoot. I'm absolutely fine with the general public reaction, however, I'm very thankful to my fans for such a huge positive response.
I don't feel I've done anything different to what's happening in all the Pakistani films too. It's just that the platform is comparatively huge so the response is massive too. As for the bubbly image, I don’t intend to get rid of it for a few years. The real-life bubbliness is never going away; at least not till I'm in my early 20s.

Saturday, 6 June 2015

5 things you need to know about Jami's upcoming film Moor



This Independence Day, audiences in Pakistan will have the chance to witness a cinematic love letter to the motherland.
Directed by Jami, Moor (pronounced 'Mor' and alternatively used for 'mother' and 'the land' in Pushto) has been in the works for a while. Jami began working on the film in 2007 and it sees fruition after nearly eight years, the year after he made his debut as film director with O21.
Packed with action and drama, the film is Jami’s answer to “how we should handle ourselves in a Pakistan where a new drama unfolds everyday.” TheMoor team shared this and more at the press meet held in Karachi yesterday, where the film's latest trailer was shown and website was launched.
1. Moor puts Balochistan's beautiful scenery on the map
In a series of disjointed phrases, director Jami described Moor as “the cure for all hopelessness, a film about Pakistan, which is specifically about trains… (and) about families… (and) how we should handle ourselves in a Pakistan where a new drama unfolds everyday.”
Strangely enough, some people see it as a film about terrorism, shared Jami, but the rest of us can breathe a sigh of relief that we’ll be watching an action drama that doesn’t concern the war against terror.
More importantly, we’ll be watching a film that puts Balochistan on the big screen, a region with unparalleled cinematic value. “Wherever we placed the camera, the framing would be beautiful,” relates Jami, who likens Balochistan’s vistas to the setting of Lawrence of Arabia.

When asked why he made Moor in Balochistan, Jami further elaborated that issues in the train network are the worst there. The trains, which are the cheapest form of transport, were systematically shut down by corrupt people, which affected many, many lives. Balochistan thus mattered more, Jami said.
One of the film's most accomplished actors, Abdul Qadir, who's earned a Pride of Performance and several other accolades, summed it up nicely: “'Mor' means mother. We can do so much for our mothers; our land is also like our mother, and we should do every good deed to make its name shine. Jami’s film is one such beautiful effort.”
2. Moor’s making began on a train
The process of making Moor began in 2007 at a time when train issues were even worse than they are today. To write the script, Jami and team decided to travel to Balochistan by train. “The 10-11 hour journey took us two days on a train that had no windows, no bathrooms and barely functioning lights. The engine broke down multiple times, and the diesel ran out just as many. And oh, we couldn’t stand near the door, because “rocket launcher kabhi bhi asakta hai”. We couldn’t have anticipated the serious issues that we saw.”

Shooting in Muslimbagh had trials of its own. Not only was the weather inclement, but they encountered lack of support from security forces who would intervene to tell them it’s not safe. Surprisingly, the 'Taliban' cooperated and even emptied out their headquarters for them to shoot in. “Our crew included girls wearing Western clothes, and nobody cared,” he shared.
3. Moor's final cast is the product of many changes
Moor stars Hameed Sheikh, Samiya Mumtaz, Abdul Qadir, Shabbir Rana, Ayaz Samoo, Soniya Hussain as well as New York-based actor, Shaz Khan, in prominent roles.
This final cast is a product of many changes: Shabbir Rana opted out from the lead role to give room to Hameed Sheikh, who would be able to meet the physical challenges of the role. Shot in freezing temperatures that dipped as low as -14 degrees, the cast (which included Sheikh's sons who play his younger selves) had to shoot their scenes wearing no extra layers. Sheikh was selected after Jami was struck by his entry in the film Kandahar Break, which the two of him were actually viewing to help select other actors from the region. Sheikh didn’t expect to be cast in that process.
Samiya Mumtaz was Jami's first choice for the female lead, but he reconsidered casting her after seeing her then hairstyle, which was a close approximation of Hameed Sheikh's current bald look! Jami had envisioned long, flowing hair for Moor's female lead, but after his second choice walked out, he begged Mumtaz to do the role.
When asked about her seemingly similar roles in Moor and her last film,Dukhtar, Mumtaz replied, “Peechay pahar hain and aur mai aik aurat hoon, us ke ilawa koi similarity nahi hai. (Apart from having mountains behind me, and being a woman, there’s no similarity between the two roles.)"

Ayaz Samoo, who’s known as a stand-up comedian, was cast as a villain in the film in a role that didn’t even initially exist. “Somewhere along the line, Jami bhai decided that Moor needed a wacko, and cast me in the role. For more than a decade, I’ve been stamped as a funny guy, and Jami bhai is the only person to be able to ignore it,” he shared.
The film also gives the opportunity for actors of the region to enjoy the spotlight.
“I’m from a people who know how to live in the mountains, but I can't swim. But Jami was able to make me do it. My fellow actors proved that they are no less than any other in the country,” said Abdul Qadir.
4. The film has a promising soundtrack
Strings were famously roped in to produce Moor's seven-song soundtrack, but yesterday's press meet reminded us that it will also boast the likes of Meesha Shafi, Javed Bashir and Rahim Shah, who's contributed a song in Pushto. Rahma Ali, whom we first heard on Coke Studio's last season, has also lent her vocals to one track (she was asked to sing a song called ‘Chalo Younhee Sahi’ after Anwar Maqsood chanced upon her singing during rehearsals for Sawa 14 August's Islamabad run, in which she played a small part).
Another interesting revelation was that Bilal Maqsood and Faisal Kapadia have sang solo tracks for the film.
Jami doesn't know when Anwar Maqsood volunteered to pen the lyrics for the film's songs, but he does admit driving Bilal Maqsood up the wall with his multiple revisions of the film.
"150 versions of the film were made, which means the music had to be changed as many times. Any other musician would have called it quits, but Bilal handled it. And I don't even know when Anwar Maqsood volunteered to write the lyrics for the film..." The soundtrack seems promising, and we'll get to hear it soon after Ramzan, promised film's producer Nadeem Mandviwala.
5. There was an elephant in the room...
While everyone skirted around the fact that Jami’s debut film O21 was less than well-received, Mandviwala himself assured the press that no one will say that they couldn't understand Moor.
“Jami thinks and talks abstractly. Wo shor sharaba nahi machatay. Zor se baat karte nahi ke meri baat sun lo, bohot piyar se baat kehenge jis may maanay bohot ho gay,” he said.


Tuesday, 2 June 2015

Waar 2 filming to kick off next month



It has been a while since we heard any news about Dr. Hassan Waqas Rana's Yalghaar but it appears that the director-producer is now venturing into the much-talked-about sequel of blockbuster Waar. The next in line,Waar 2 will commence filming next month in London.
Although post Waarthere had been a financial war between Bilal Lashari and Rana, Waar 2 will see Rana producing as well as calling the shots as director. He will also be penning the script of the film
Speaking to Dawn.com, Rana confirmed the news and said the cast and crew will be heading to London to start filming. He added that Shaan Shahid will be in the lead and the cast will include Bilal Ashraf and Ayub Khoso among others:
"We will be shooting the first spell with these three actors in London and Prague. We are also in talks with different international actors and will reveal details as soon as things get finalised."
With news about Humayun Saeed and Adnan Siddiqui included in the cast as well, Rana said that he has indeed asked them as well and their confirmation for the film will depend on their availability. Alizeh Nasir might also be a part of Rana's upcoming venture.
He added that the film will also have local as well as international crew looking after the technical aspects of the film which will be shot in different parts of the world:
"The film will be shot in UK, Russia, Turkey, Canada and US," Rana told.
The director also shared that he aims to release Waar 2 by 2016 which raised the question about his forthcoming film Yalghaar:
"The first promo of Yalghaar will be coming in June and will make its way to cinema screen by late summer this year."
Spurring the revival of Pakistani cinema, espionage film Waar had raked Rs40m within the first three days of its release.